I freely admit this, I sing my children to sleep. This is no mere attempt to placate them, it’s an attempt to keep the chain going – sort of a musical heredity if you will. I didn’t ask for this sick, twisted brain that collects music and musical information nobody within twenty years’ of either side of my 45 knows. I really didn’t. But I do feel the need to pass it on to my kids.
The twins are at this great age, too, where nothing I can sing to them is uncool, and they want to sing along (OK, that’s counter-productive to the goal but – still – really neat all the same). The baby – well he bops along to just about everything. You pretty cannot go musically wrong with a two year old.
I like to be diverse. Tonight, for example, I gave them four songs: What Happened to the Manx Cat’s Tail (a Florrie Forde English Music Hall tune), Bali Hai from South Pacific, Exactly Like You, and Stay Awake from Mary Poppins. I usually start with the English Music Hall or something upbeat, then work my way down in tempo. High engines become low engines, and – if I’m really luck – at least one of them is sound asleep before I’m done.
Back in my room, with my wife next to me, I can sigh deeply and – no matter what happened during the day, or how naughty somebody has managed to be, know that it’s great to be the dad.
Current events soundtracks:
In honor of the first tropical storm of the year to hit Florida – Claudette – here’s, well, Claudette Peters singing, Go Claudette. And, no, I don’t expect to do this for every single named storm this year.
This weekend marks Independence Day in India.
Soundtracks for this date in history:
In 1760, Frederick the Great defeated the Austrians at Leignitz. When not at war, which was only some of the time, Frederick was a very competent composer. This is his Hohenfriedberger March, as interpreted by the Swedish Army Band. You’ll also find it on the soundtrack of the epic Stanley Kubrick movie Barry Lyndon, which also features incredibly beautiful music by The Chieftains and composer Sean O’Riada.
The Wizard of Oz premiered on this date in 1939. From a musical standpoint, the songs really are that good – and would be even if the film hadn’t developed the staying power that it has today. Harold Arlen and Yip Harburg wrote great stuff, and but I want to focus on Arlen, who spent his life as a pop song and musical composer. The overture or opening credits sets the mood for this film so very well. In fact, if you think about what you remember of the movie, the incidental music stands out almost as well as Over the Rainbow. Think about it, and you’ll see what I mean.
The Beatles play the first stadium concert in history, to 60,000 screaming fans at Shea Stadium in New York. Predictably, the New York Mets cannot draw more than 1/6 the crowd, but they have a kick-ass theme song. Pay attention Met fans – this is baseball theme song. Now, maybe, somebody will comment on my blog. Probably from Queens.
The summer of love heated up in 1969 at Woodstock. And the national supply of hallucinagenic drugs dropped drastically for the next week and a half.
Birthday Soundtracks:
Napoleon Bonaparte (1769). So here’s a kicker piece of trivia: Beethoven actually dedicated the composition of his Eroica Symphony (#3) to Napoleon. Then, after Napoleon turned out to be a non-liberator, he rescinded it. Then he wrote Wellington’s Victory celebrating Napoleon’s defeat. Thank you, Ludwig, and good night.
Edna Ferber (1885). She was the author of Showboat, which became a landmark musical in the development of the American musical theatre. Musical theatre was so incredibly different before it, that when Jerome Kern submitted the score to the producers, it contained an 8-minute song called “Misery,” but the producers were scared to death of any song and dance that lasted 8 minutes, so they made Kern cut it out. Here’s Dame Kiri Te Kanawa with Can’t Help Lovin’ Dat Man, from Showboat.
Leon Theremin (1896). Theremin invented the first electronic instrument, and – honestly – I think science fiction movie producers all over the world rejoiced. Here he is playing his invention. And here it is in practical use in the opening to The Day the Earth Stood Still, by Bernard Hermann.
Hugo Winterhalter (1909). How many of you have had your cavities filled to this?
Oscar Peterson (1925). Good God, he was great! Here is Peterson and his trio doing Lush Life. Magnificent! And I have never seen a clip of Peterson where he is not truly enjoying himself.
Shirley Kwan (1966). Her very lush, dramatic and stylized hits epitomize modern pop in Hong Kong.
More notes on notes tomorrow.